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#61
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On Wed, 18 Feb 2004, Tom Anderson wrote:
On Fri, 13 Feb 2004, Sam Holloway wrote: On Thu, 12 Feb 2004 21:39:58 -0000, "pinter" wrote: "Kat" wrote in message ... In message , RayB writes Classical music was being played Maybe someone can suggest some appropriate music for various stations. City Thameslink: 'Twenty four minutes from Tulse Hill', Carter USM While we're at it, other useful Carter songs: New Cross: 'The only living boy in New Cross' New Cross Gate: 'Panic' (the B-side of the above) Charing Cross: 'Stuff the jubilee' (geddit?) Brixton: 'And god created Brixton' Peckham Rye/Queens Road Peckham (yes, NR not LU): 'The taking of Peckham 123', to alternate with the Only Fools And Horses theme tune (also, the Grange Hill theme tune to be played at Grange Hill, obviously) They also have a cover of 'Down in the tube station at midnight', by The Jam. Their '2001: A Clockwork Orange' is so called because the Glasgow Underground's nickname is the 'clockwork orange'; i don't think that helps us much, though. And getting away from Carter: White City: 'London calling' - The Clash Although according to http://www.starfury.demon.co.uk/uground/bbcbh.html, then there might be a better station we could play it at. tom -- Demolish serious culture! |
#62
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![]() Sunny Goodge Street: : Donavon Up the Junction : Squeeze Didn't Jules Holland do a 'London A-Z' album a couple of years back? -- Martin @ Strawberry Hill |
#63
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In message , Paul Terry
writes There's more to it than that. There have been a number of studies which suggest that some types of classical music (*) engage often undeveloped parts of the mind much more than others. Some people (and I make no judgements whatsoever) simply love this while others are scared stiff. (*) This is a complex area, but current research suggests that it is the essentially patterned-based styles of most 18th-century music that do the trick - hence the endless Vivaldi, Bach and Mozart. Oh, come on! Surely it's just the company using it trying to give themselves a veneer of 'sophistication', similar to slapping a classical facade onto a building. -- Martin @ Strawberry Hill |
#64
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![]() Years ago, when I frequently used Primrose Hill station, the chap in the ticket office used to keep the PA mic. on so as to relay his choice of music-listening to the (few) waiting passengers. -- Martin @ Strawberry Hill |
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