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#1
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The little ******* were recently active on the westbound FCC platform walls
at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! |
#2
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On 21 Feb, 21:46, "Jack Taylor" wrote:
The little ******* were recently active on the westbound FCC platform walls at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! Wheres John Band to argue that deep down they're just misunderstood artists wot 'ave a golden 'art an all luv their mums.... Isnt LU in charge of barbican station, not FCC? Perhaps it was just a message to the idiot kids that their mess will just be painted over in minutes rather than someone spending half an hour trying to remove it (not always successfully) so theres no point bothering as no one will get to see it. B2003 |
#3
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On 22 Feb, 13:34, Boltar wrote:
On 21 Feb, 21:46, "Jack Taylor" wrote: The little ******* were recently active on the westbound FCC platform walls at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! Wheres John Band to argue that deep down they're just misunderstood artists wot 'ave a golden 'art an all luv their mums.... No one who changes someone else's design (even just a brick wall) without permission is an artist. Isnt LU in charge of barbican station, not FCC? Perhaps it was just a message to the idiot kids that their mess will just be painted over in minutes rather than someone spending half an hour trying to remove it (not always successfully) so theres no point bothering as no one will get to see it. B2003 |
#4
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On 22 Feb, 13:34, Boltar wrote:
On 21 Feb, 21:46, "Jack Taylor" wrote: The little ******* were recently active on the westbound FCC platform walls at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! Wheres John Band to argue that deep down they're just misunderstood artists wot 'ave a golden 'art an all luv their mums.... Well come on, you're hardly acting your part in this either - where's the call for all potentially graffiti-able walls to be wired up to the national grid, the subsequent frying being videotaped and made available for all the maladjusted freaks of the internet to view at their twisted pleasure? (I can't speak for John Band, but I'm pretty certain you've misrepresented his views quite significantly. It's quite possible he won't deem your unconsidered comments above worthy of a considered response.) Isnt LU in charge of barbican station, not FCC? Perhaps it was just a message to the idiot kids that their mess will just be painted over in minutes rather than someone spending half an hour trying to remove it (not always successfully) so theres no point bothering as no one will get to see it. B2003 LU is indeed in charge of Barbican station, and so I presume would have been behind this (well, specifically Metronet, the infraco for the SSL lines). I think your analysis above makes a lot of sense - get rid of the graffiti ASAP by whatever means. However I understand that there is an approved range of paints for covering up graffiti, and the paint colour is supposed to broadly match the normal colour of that surface (i.e. brown for brick walls), so it seems like something has gone wrong here - maybe they simply had the wrong paint that night, and it will change colour when it's painted over again soon. I can't see why Network Rail or their contractors would have touched the wall, given that it is an LU station - and even though FCC Thameslink trains don't stop on the westbound Barbican platform at all - it is out of use for the public, and just an emergency disembarkation point - it is still part of the LU station, as can be seen from the LU style signs next to the emergency exit. |
#5
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On 22 Feb, 14:31, MIG wrote:
The little ******* were recently active on the westbound FCC platform walls at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! Wheres John Band to argue that deep down they're just misunderstood artists wot 'ave a golden 'art an all luv their mums.... *Whatever*. Banksy's work /is/ art; if you can't appreciate that you're a ****wit. Tox06 is a mindless vandal with no artistic merit at all. Most grafitiists lean towards the Tox06 model than the Banksy model, but not all. And even the Tox06-ists are hardly up there with brick- throwers and knife-wielding thugs in the whole "really bad people it's worth getting upset about and throwing in jail for ages" stakes. No one who changes someone else's design (even just a brick wall) without permission is an artist. That's an interesting contribution to the philosophy of art. Shame about Andy Warhol though (at least, I don't think he got permission from Campbell Soup). In fact, you lose most 20th and 21st century art based on that criterion... perhaps you don't view that as much of a loss. -- John Band john at johnband dot org www.johnband.org |
#6
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On 22 Feb, 15:13, John B wrote:
On 22 Feb, 14:31, MIG wrote: The little ******* were recently active on the westbound FCC platform walls at Barbican, tagging the brickwork again. Bad in itself - but TPTB have seen fit to remove the "artwork", not with a high-pressure hose but with a liberal application of cream paint, which looks equally as bad. Considering the fine brick retaining walls at the station, it's a shame that the job couldn't have been done with a little more sympathy. It looks bloody awful! Wheres John Band to argue that deep down they're just misunderstood artists wot 'ave a golden 'art an all luv their mums.... *Whatever*. Banksy's work /is/ art; if you can't appreciate that you're a ****wit. Tox06 is a mindless vandal with no artistic merit at all. Most grafitiists lean towards the Tox06 model than the Banksy model, but not all. And even the Tox06-ists are hardly up there with brick- throwers and knife-wielding thugs in the whole "really bad people it's worth getting upset about and throwing in jail for ages" stakes. No one who changes someone else's design (even just a brick wall) without permission is an artist. That's an interesting contribution to the philosophy of art. Shame about Andy Warhol though (at least, I don't think he got permission from Campbell Soup). In fact, you lose most 20th and 21st century art based on that criterion... perhaps you don't view that as much of a loss. When did he change someone's design? He may have copied it, which is of no concern to me. Possibly copying of design is what you are talking about with respect to most 20th and 21st century art. I wasn't aware that he painted over a load of existing soup tins with his own design. I am talking about someone changing a specific wall/ train/painting/whatever that someone has designed, however badly in one's opinion. If I don't like the Mona Lisa and paint a moustache on it without permission, I am imposing something on someone else's design when I have no business to do so. |
#7
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On 22 Feb, 15:43, MIG wrote:
I wasn't aware that he painted over a load of existing soup tins with his own design. I am talking about someone changing a specific wall/ train/painting/whatever that someone has designed, however badly in one's opinion. Sorry, misunderstood. Does that apply to prints as well, or just originals? If I don't like the Mona Lisa and paint a moustache on it without permission, I am imposing something on someone else's design when I have no business to do so. So you're not a fan of the Chapmans, then? http://www.tate.org.uk/britain/turne...03/chapman.htm [I still don't really see where you're coming from here - it seems you're conflating artistic merit and morality, which can't be right. Even if the paint in the Mona Lisa were made from the blood of children Da Vinci had murdered, it would still be an artwork and he an artist - he'd just *also* be a child-murderer. Or, to put it less sensationally, what if he'd nicked a lesser artist's painting and used it as the canvass for the the Mona Lisa?] -- John Band john at johnband dot org www.johnband.org |
#8
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On 22 Feb, 15:57, John B wrote:
On 22 Feb, 15:43, MIG wrote: I wasn't aware that he painted over a load of existing soup tins with his own design. *I am talking about someone changing a specific wall/ train/painting/whatever that someone has designed, however badly in one's opinion. Sorry, misunderstood. Does that apply to prints as well, or just originals? Hmm. I suppose not, depending on whether one is thinking of the original work or the displaying of it in a particular way by someone who has purchased it. If I don't like the Mona Lisa and paint a moustache on it without permission, I am imposing something on someone else's design when I have no business to do so. So you're not a fan of the Chapmans, then?http://www.tate.org.uk/britain/turne...03/chapman.htm [I still don't really see where you're coming from here - it seems you're conflating artistic merit and morality, which can't be right. Even if the paint in the Mona Lisa were made from the blood of children Da Vinci had murdered, it would still be an artwork and he an artist - he'd just *also* be a child-murderer. Or, to put it less sensationally, what if he'd nicked a lesser artist's painting and used it as the canvass for the the Mona Lisa?] Really, I'm just trying to get at the idea that the objection to graffiti that makes it "vandalism" need not be influenced by the artistic merit. Taking someone else's design and imposing one's own improvements on it is generally frowned on (and the possibility of changing copies while leaving the original unharmed complicates the picture [no pun intended]). No doubt there are cases where the artistic merit transcends such considerations, eg Da Vinci using an old canvass when he has run out might not be the same as imposing his improvements on what he considers to be a poor painting. |
#9
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On 22 Feb, 16:14, MIG wrote:
Really, I'm just trying to get at the idea that the objection to graffiti that makes it "vandalism" need not be influenced by the artistic merit. I'd agree 100% with that. While I'd be very pleased if someone painted a Banksy-type-and-quality work on my property, not everyone has the same viewpoint (and Banksy himself generally targets derelict/decrepit walls, rather than causing thousands of pounds' worth of damage to expensive kit he doesn't own). -- John Band john at johnband dot org www.johnband.org |
#10
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On 22 Feb, 15:57, John B wrote:
So you're not a fan of the Chapmans, then?http://www.tate.org.uk/britain/turne...03/chapman.htm Ah , looks like a choice selection of the standard contemporary "artists" fallback of making something to shock, to hide the fact that they don't actually have any discernable talent. B2003 |
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