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Spooks Underground
Did anybody else see all the London Underground stuff in Spooks last
night? That train they walked through looked very old and reminded me of my childhood! |
Spooks Underground
wrote in message
Did anybody else see all the London Underground stuff in Spooks last night? That train they walked through looked very old and reminded me of my childhood! I'm assuming it was a 1972, parked in the Aldwych tunnel at Holborn? If so, there are many older trains still in service on LU. We also saw the usual escape into the disused Jubilee platforms at Charing Cross (not far from Aldwych, but I don't think there's an underground route between them). I was wondering where all the other twisty foot passages were? They looked clean and unused, rather than disused. |
Spooks Underground
In message , Recliner
writes wrote in message Did anybody else see all the London Underground stuff in Spooks last night? That train they walked through looked very old and reminded me of my childhood! I'm assuming it was a 1972, parked in the Aldwych tunnel at Holborn? If so, there are many older trains still in service on LU. We also saw the usual escape into the disused Jubilee platforms at Charing Cross (not far from Aldwych, but I don't think there's an underground route between them). But bizarrely they had gone underground at Liverpool street and were using "disused tunnels" to get to London Bridge. Now I'm willing to suspend belief for fiction purposes that they were using a tunnel that doesn't exist. But they least they could have done then was to cover up the roundels saying that they were at Charing Cross, which rather made a mockery of the whole thing. Even "King William Street" would have done! :-) I was wondering where all the other twisty foot passages were? They looked clean and unused, rather than disused. I assumed that hey were all part of the Charing Cross complex but could of course be wrong. The 72 stock *was* in Aldwych, I presume? -- Ian Jelf, MITG Birmingham, UK Registered Blue Badge Tourist Guide for London and the Heart of England http://www.bluebadge.demon.co.uk |
Spooks Underground
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Spooks Underground
"Ian Jelf" wrote in message
.... But bizarrely they had gone underground at Liverpool street and were using "disused tunnels" to get to London Bridge. Now I'm willing to suspend belief for fiction purposes that they were using a tunnel that doesn't exist. But they least they could have done then was to cover up the roundels saying that they were at Charing Cross, which rather made a mockery of the whole thing. Even "King William Street" would have done! :-) Actually, that would have been rather clever, but assumes a knowledge about LU's history that companies like Kudos are unlikely to have. I've been down the old King William Street tunnels, and it would have been great if they could have re-created that seedy (and dark ) WWII look. Wouldn't it be nice if disused tunnels were all so clean, dry and brightly lit as in Spooks (not a rat or stalagmite to be seen)? Obviously, if we're being picky, I doubt that you could get a nuclear bomb into a briefcase either. But then, Spooks isn't about accuracy, and they do tell their tales rather well. |
Spooks Underground
In message , Recliner
writes "Ian Jelf" wrote in message ... But bizarrely they had gone underground at Liverpool street and were using "disused tunnels" to get to London Bridge. Now I'm willing to suspend belief for fiction purposes that they were using a tunnel that doesn't exist. But they least they could have done then was to cover up the roundels saying that they were at Charing Cross, which rather made a mockery of the whole thing. Even "King William Street" would have done! :-) Actually, that would have been rather clever, Blush Oh, really, it's nothing. You're too kind! :-)) but assumes a knowledge about LU's history that companies like Kudos are unlikely to have. They have only to ask....... I've been down the old King William Street tunnels, and it would have been great if they could have re-created that seedy (and dark ) WWII look. Wouldn't it be nice if disused tunnels were all so clean, dry and brightly lit as in Spooks (not a rat or stalagmite to be seen)? Brightly lit in unlikely circumstances is a particular failing of television and film production generally. The problem is, if you recreated total darkness, it's not terribly good from a story-telling point of view. Obviously, if we're being picky, Me?! :-) I doubt that you could get a nuclear bomb into a briefcase either. If indeed inaccurate, I for one am mightily relieved. But then, Spooks isn't about accuracy, and they do tell their tales rather well. This is only the second one I've seen. I saw one in an hotel last week and tuned in again this week because I'd enjoyed it so much. -- Ian Jelf, MITG Birmingham, UK Registered Blue Badge Tourist Guide for London and the Heart of England http://www.bluebadge.demon.co.uk |
Spooks Underground
On Dec 9, 2:52 pm, Ian Jelf wrote:
I assumed that hey were all part of the Charing Cross complex but could of course be wrong. The 72 stock *was* in Aldwych, I presume? Somehow one of the ticket office staff had found her way onto the train and were having a snooze when the spooks rudely awoke her. But its good to see her customer training came to the fore. B2003 |
Spooks Underground
On Dec 9, 4:01 pm, Ian Jelf wrote:
I doubt that you could get a nuclear bomb into a briefcase either. If indeed inaccurate, I for one am mightily relieved. Unfortunately not. http://en.wikipedia.org/wiki/Special...ition_Munition B2003 |
Spooks Underground
In message , at 16:01:24 on Tue,
9 Dec 2008, Ian Jelf remarked: Brightly lit in unlikely circumstances is a particular failing of television and film production generally. The problem is, if you recreated total darkness, it's not terribly good from a story-telling point of view. Nor is it very good for the overtime bills, people falling over one another and so on. I'm told that most "night" scenes are actually shot in daylight with filters on the camera. -- Roland Perry |
Spooks Underground
In message , Roland Perry
writes In message , at 16:01:24 on Tue, 9 Dec 2008, Ian Jelf remarked: Brightly lit in unlikely circumstances is a particular failing of television and film production generally. The problem is, if you recreated total darkness, it's not terribly good from a story-telling point of view. Nor is it very good for the overtime bills, people falling over one another and so on. I'm told that most "night" scenes are actually shot in daylight with filters on the camera. That was a technique called "la nuit americaine" and is less used nowadays, I think. Graeme Wall will no doubt shortly be along to confirm or deny this! -- Ian Jelf, MITG Birmingham, UK Registered Blue Badge Tourist Guide for London and the Heart of England http://www.bluebadge.demon.co.uk |
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